Pat Badt, Sprites, 2012–2014, oil on wooden slab with live edge; 53 x 8 ½ x 1 in. (right), 72 x 8 1/4 x 1 in. (left)
Pedro Barbeito, Sampex, 2000, relief print with embossment, engraving & pigment on handmade paper, 15 1/8 x 21 ¼ in.
Pedro Barbeito, CGRO, 2000, relief print with embossment, engraving & pigment on handmade paper, 15 1/8 x 21 ¼ in.
Katrina Bello, Rockscape, 2016, graphite on paper, 6 ½ x 9 ½ in.
Katrina Bello, Weed Peekers, 2016, charcoal and graphite on paper, 5 ½ x 8 in.
Katrina Bello, Swampscape, 2016, charcoal and graphite on paper, 5 ½ x 8 in.
Katrina Bello, Petrified and Peeking, 2016, graphite on paper, 5 ½ x 8 in.
Greta Bergstresser, Mom’s Canna Lilies, 2019, archival pigment print, 30 x 20 in.
Greta Bergstresser, Thanksgiving Pig, 2011, archival pigment print, 21 x 14 in.
Greta Bergstresser, Watching the Geese, 2018, archival pigment print, 14 x 21 in.
Berrisford Boothe, Toward The Finite And The Absolute, 2018, acrylic on panel, 30 in. diam. X 1 ¾ in.
Berrisford Boothe, Target Motion Analysis, 2018, acrylic on panel, 20 in. diam. X 1 ½ in.
Jase Clark, Parasitic Structures, 2015, video, 7:34.
Enrico Richard Gomez, Cuervo I.II, 2017, compressed charcoal on paper, 10 x 10 in.
Enrico Richard Gomez, Los Cuervos, 2019, compressed charcoal on paper, 12 x 12 in.
Enrico Richard Gomez, Edelweiss: Southernmost, Ka Lae, Hawaii, Chrysoprase, Tiwaz (American Sunset Series), 2019, watercolor, water-soluble pencil, marble dust, and acrylic on paper, 8 x 10 in.
Rachael Gorchov, Rock Cloud, 2017, glazed ceramic in two parts with digitally printed vinyl, 13 x 47 x 18 in.
Rachael Gorchov, Oculus iii, 2017, glazed ceramic & archival inject print on adhesive backed vinyl, 12 x 15 x 30 in.
Femi J. Johnson, Guernica Street, 2019, acrylic on canvas, 36 x 48 in.
Femi J. Johnson, The Puppet Road, 2018, acrylic on canvas, 28 x 22 in.
Femi J. Johnson, Public Display of Affection, 2018, acrylic on canvas, 30 x 30 in.
Chawne Kimber, there’s some left, 2019, hand dyed cotton, linen, wool, silk; improvisationally pieced and hand quilted, 37 ¾ x 48 ½ in. overall.
Tom McGlynn, Acoma 1, 2012, acrylic on birch panel, 18 x 24 in.
Tom McGlynn, Decal (Pink Grounded), 2019, acrylic on birch panel, 36 x 36 in.
Alex Paik, Partial Parallelogram (Trapezoid), 2019, gouache, colored pencil, paper, nails, dimensions variable
Alex Paik, Improvisation #3 of Equilateral Triangle (Open), 2016, gouache, colored pencil, paper, 5 ½ x 10 x ½ in.
Scott Sherk, Cellar, 2019, lacquered MDF, electronics, audio file, 7 ¾ x 16 x 16 in., with pedestal, 32 x 16 x 16 in.
Karina Skvirsky, Chimborazo, Ecuador (night), from The Railroad Workers series, 2016, folded and collaged archival inkjet prints, 17 x 22 in.
Anthony Smith, Jr, Pilot (Or How Do You Stop A Flying Dreadnought) No. 8, 2018, mixed media painting, 24 x 71 in.
Lisa Stefanelli, Crowd Pleaser Series: Oculus Path, 2019, digital aided material printed on aluminum with floating mount, 30 x 45 in.
Mark Street, Flutter, 2020, video, 12:09
Taller Workshop/Nestor Armando Gil, embrión, 2020, performances, January 12, 2020.
Kate Teale, Rear Window, 2017, acrylic on canvas and mulberry paper over board, 24 x 18 in.
Kate Teale, Going Dark, 2018, acrylic on canvas and mulberry paper over board, 16 x 12 in.
Kate Teale, Bay, Atlantic 2, 2017, acrylic on canvas and mulberry paper over board, 24 x 36 in.
Jim Toia, Wood Pecked Birch, 2008, found object: birch bark pecked by yellow-bellied sapsucker(s), 11 ½ x 11 ¾ x 1 ½ in. framed.
Jim Toia, Composition A Recomposed, 2008, wood and paint, 12 x 12 in.
Jim Toia, Composition of Red & White & 1, 2008, wood and paint, 12 x 12 in.
Jim Toia, Composition # 1 Recomposed, 2008, wood and paint, 12 x 12 in.
Fritz Van Orden, Baby Candle Circle, 2019, pencil and ink on paper, 5 ½ x 7 3/8 in.
Fritz Van Orden, Save 20% Off, 2019, pencil and ink on paper, 5 ½ x 7 3/8 in.
Fritz Van Orden, Your Stamp on This, 2019, pencil and ink on paper, 5 ½ x 7 3/8 in.
Fritz Van Orden, 142 Cont I’m There, 2019, pencil and ink on paper, 5 ½ x 7 3/8 in.
Fritz Van Orden, Opaque Speedo Pidgin, 2019, pencil on paper, 8 x 10 in.
Tenesh Webber, Untitled 7, 2019, framed drawing, charcoal on Stonehenge paper, 13 x 11 in.
Tenesh Webber, Untitled 9, 2019, framed drawing, charcoal on Stonehenge paper, 13 x 11 in.
Tenesh Webber, Untitled 14, 2019, charcoal pencil on Stonehenge paper, 13 x 11 in.
Eileen Weitzman, Fly Me to the Moon, 2019, acrylic, fabric, papier mache, yarn, found objects, 20 x 21 x 10 in.
Eileen Weitzman, I Only Have Eyes for You, 2006, acrylic, fabric, photos, papier mache, found objects, 68 x 29 x 24 in.
Eileen Weitzman, Guess Who’s Coming to Dinner, 2012, acrylic, fabric, papier mache, found objects, on wheels, 68 x 45 x 25 in.
Eileen Weitzman, Humpty Dumpty Had a Great Fall, 2017, acrylic, fabric, papier mache, clay, found objects, 68 x 45 x 25 in.
Luke Wynne, Victoria Jackson, 1986–1992, silver gelatin print, edition 1/1, 14 x 11 in.
Luke Wynne, Paul Mazursky, 1989, silver gelatin print, edition 1/1, 14 x 11 in.
Luke Wynne, Jacqueline Bisset, 1989, silver gelatin print, edition 1/1, 11 x 14 in.
Luke Wynne, Divine, 1985, silver gelatin print, edition 1/1, 14 x 11 in.
Luke Wynne, Whoopi Goldberg, 1989, silver gelatin print, edition 1/1, 14 x 11 in.
Luke Wynne, Tina Turner Look-A-Like, 1985, vintage silver gelatin print, Agfa – Brovira paper, edition 1/1, 11 x 14 in.
Ghen Zando-Dennis, Gustavo After Maria, 2018, digital video, 4:30.
All works courtesy of the artists.